Pop-Rock

When the Head And The Heart regrouped last summer in Stinson Beach, Ca., to start writing together again, “it almost felt like we were a new band, trying things we hadn’t tried,” Zasche recalls. “We stayed at a bungalow on the beach. We’d wake up, have coffee and go boogie boarding. We were ready and excited to be back together.”

That renewed sense of purpose can be felt throughout “Signs Of Light,” the group’s first release for Warner Bros. Records. “This album isn’t about us now having achieved our dreams,” says Thielen. “The day we started being able to live off our art was the day we achieved our dreams, in my mind. This is the album where we really fell into our true voices as those artists.”

Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), “Signs Of Light” crackles with the upbeat, sing-a-long energy of the Head And The Heart’s finest work. Lead single “All We Ever Knew,” which was written during the “Let’s Be Still” era but never captured to the band’s satisfaction until now, is sure to be a crowd-pleaser, while “Turn It Around” seems primed to be a future concert staple, matching its inspirational message with a lush and multi-layered soundscape.

Throughout, the colors are brighter, the electric guitars are louder and the musical touchstones more universal. The propulsive, smile-inducing ode to Los Angeles “City Of Angels” and the head-nodding “Rhythm & Blues” nod to classic Fleetwood Mac, while the organ-flecked “Dreamer” is a timeless-sounding ballad that could have been beamed straight out of an old jukebox.